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Dr. Renate Buschmann | 09.06.2019 | 291 Aufrufe | Diskussionen

Analogue Decades, Video Places and Distribution

Ulrike Rosenbach (Artist, Cologne) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Analogue Decades, Video Places and Distribution
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Dr. Renate Buschmann | 02.06.2019 | 234 Aufrufe | Vorträge

Why Video Art Shouldn’t Rely on the Art Market

Olaf Stüber (Gallerist /Curator, Berlin) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Why Video Art Shouldn’t Rely on the Art Market
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Dr. Renate Buschmann | 12.04.2019 | 606 Aufrufe | Vorträge

Lost Media Alive: The FRIGO Experience

Rotraut Pape (Professor for Film and Video, University of Art and Design, Offenbach am Main) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Lost Media Alive: The FRIGO Experience
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Dr. Renate Buschmann | 05.04.2019 | 268 Aufrufe | Artikel

How Much Virtuality Can the Market Stomach

Julia Sökeland (Initiator of Blinkvideo, Hamburg) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

How Much Virtuality Can the Market Stomach
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Dr. Renate Buschmann | 29.03.2019 | 252 Aufrufe | Artikel

To Distribute or not. Finding Balance between Alternative Art Markets and Commercialization

Gaby Wijers (Director of LIMA, Amsterdam) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

To Distribute or not. Finding Balance between Alternative Art Markets and Commercialization
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Dr. Renate Buschmann | 15.03.2019 | 442 Aufrufe | Vorträge

Daata Editions and New Models for Artist Commissioning, Distribution and Exhibition

David Gryn (Director of DAATA EDITIONS, London) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Daata Editions and New Models for Artist Commissioning, Distribution and Exhibition
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Dr. Renate Buschmann | 01.03.2019 | 247 Aufrufe | Artikel

Distributing Artist Film and Video. Technical and Economic Challenges in a Digital Era

Rolf Quaghebeur (General Director of Argos, Brussels) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Distributing Artist Film and Video. Technical and Economic Challenges in a Digital Era
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Dr. Renate Buschmann | 15.02.2019 | 313 Aufrufe | Artikel

How Video (Art) Became Expensive

Dieter Daniels (Professor for Art History and Media Theory, Academy of Visual Arts, Leipzig) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

How Video (Art) Became Expensive
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Dr. Renate Buschmann | 01.02.2019 | 299 Aufrufe | Artikel

Video Gallery SCAN as Video Activism in Tokyo of the 1980s

Hiroko Kimura (Research Fellow, imai Foundation, Duesseldorf) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Video Gallery SCAN as Video Activism in Tokyo of the 1980s
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Dr. Renate Buschmann | 18.01.2019 | 373 Aufrufe | Vorträge

235 – Audio – Video – Media. Video Art Distribution in Germany

Jessica Nitsche (Research Fellow, imai Foundation, Duesseldorf) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

235 – Audio – Video – Media. Video Art Distribution in Germany
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Dr. Renate Buschmann | 04.01.2019 | 306 Aufrufe | Artikel

Setting Up Video Art Distribution in the UK: New, Different and Challenging

Julia Knight (Prof. Em. of Moving Image, University of Sunderland) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Setting Up Video Art Distribution in the UK: New, Different and Challenging
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Dr. Renate Buschmann | 28.12.2018 | 354 Aufrufe | Vorträge

An Insider‘s View on Video Art (Distribution) in Germany

A Conversation with Norbert Meissner (Artist, Leipzig) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

An Insider‘s View on Video Art (Distribution) in Germany
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Dr. Renate Buschmann | 21.12.2018 | 473 Aufrufe | Vorträge

Electronic Arts Intermix (EAI): An Alternative Model Across Time

Lori Zippay (Director of Electronic Arts Intermix, New York) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Electronic Arts Intermix (EAI): An Alternative Model Across Time
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Dr. Renate Buschmann | 17.12.2018 | 451 Aufrufe | Vorträge

Video-Vision/Tele-Vision: Art Leaving the Conventional Cycles of Dissemination

Renate Buschmann (Director of imai foundation, Duesseldorf) | Video Art Distribution. From Alternative Art Market to Commercialisation

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Video-Vision/Tele-Vision: Art Leaving the Conventional Cycles of Dissemination
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Dr. Renate Buschmann | 14.12.2018 | 602 Aufrufe | Vorträge

Video Art Distribution. From Alternative Art Market to Commercialisation | inter media art institute (imai)

Axel Wirths (Director of 235 Media, Cologne) | Words of Welcome

The conference broached the issue of the interaction of art production, art market and exhibition concerning the media art on an international level. The historical development and specific tasks…

Video Art Distribution. From Alternative Art Market to Commercialisation | inter media art institute (imai)
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Dr. Renate Buschmann | 12.04.2018 | 401 Aufrufe | Ankündigungen

Tagung: Video Art Distribution. From Alternative Art Market to Commercialisation

Stiftung imai, 8. und 9. Mai 2018

Seit den 1970er Jahren sind als Reaktion auf die sich entwickelnde Videokunst weltweit spezialisierte Vertriebe entstanden. Alternativ zum traditionellen Galeriesystem haben Videokunstvertriebe…

Tagung: Video Art Distribution. From Alternative Art Market to Commercialisation