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L.I.S.A. Redaktion | 05/15/2013 | 2154 Views | Movies by the Gerda Henkel Foundation |
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Never trouble-free again! Aachen Avantgarde since 1964 (Germany)

The Surrounding Area | Episode 7

The preparations have been completed for the exhibition “Never trouble-free again! Aachen Avant-garde since 1964”, which ran from October 2011 until February 2012 at the Ludwig Forum in Aachen. Now the complicated process of setting up the exhibits is underway, including numerous installations such as “Die Sandmühle” (Sandmill) by Günther Uecker or “Schwarzer Papierhaufen” (Black Paper Heap) by Reiner Ruthenbeck. These have to be set up in precise accordance with the artists’ ideas, constituting an ever new interplay between the curators and assistants and the artists – a task that is anything but easy.

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Das schiefe Kinderzimmer

Audio stream of the video

The Research Project
The development of the Rhenish art scene and its transregional presence from the 1960s onwards (a period during which Aachen formed the nucleus of a surprisingly progressive cultural scene) provided the main subject matter for the research project by the Aachen Ludwig Forum for International Art. The aim of the project headed by Dr. Annette Lagler and Myriam Kroll was to document a location-specific micro history, namely, the pursuits of the vibrant and highly experimental art scene during a period in which Aachen allegedly played a decisive role in the evolution of contemporary art in Germany. Alongside Aachen, cities such as Darmstadt, Krefeld, Wiesbaden, Kassel, Wuppertal and Baden-Baden also provided fertile ground for this critical opposition movement and enabled the organization of events and projects that would have been unthinkable elsewhere. The fact that the 1960s avant-garde in West Germany was by no means a phenomenon taking placing in the country’s metropolises can certainly be attributed to Germany’s division at the time and the subsequent loss of its original capital city. Therefore within the framework of the project the team placed particular emphasis on answering the question: Which criteria have to be satisfied in order for art and culture to flourish in a particular place? Using hitherto unexplored materials found during a survey of public and private archives, interviews with eye witnesses and inquiries into private collections in Aachen, the team’s aim was to fill in the gaps in existing research and consider the discourse of the time – so decisive in the artistic, social, cultural and political realms. 

Aachen University and the Architecture faculty in particular, which was shaped by Gottfried Böhn with a clear open-mindedness to new ideas, as well as the young, experimental art scene, which sought out new ways of penetrating the public sphere and fought for a say in the interdisciplinary social processes, formed the institutional and personal framework for Aachen’s advancement to one of the most innovative art cities in the Federal Republic of Germany. Here it was a matter of toppling the artistic doctrine of the Third Reich, which was still palpable at the time, and helping contemporary art and thought, and ultimately the whole of society, to achieve a new kind of openness. 

Major stages in this development include the legendary “Festival of New Art July 20, 1964” in the Audimax at Aachen University, attended by an array of international Fluxus artists such as Joseph Beuys, Wolf Vostell and Nam June Paik, followed by the founding of the “Gegenverkehr” art association whose influence reached far beyond Aachen’s city limits, the first presentation of the Ludwig Collection and the opening of the “New Gallery”. 1970s art shaped the face of the new museum: Hyperrealist figures, photorealistic paintings, Neo-Abstract and Conceptual art reflected the stylistic pluralism of the time. While the far-reaching commitment of the collector couple and most notably their own art collection set several important reference points in 20th-century art history, the exhibition programme by Director Wolfgang Becker focused on unrestrained action, performance and New Media art.

Project leadership

Dr. Annette Lagler

Location

Germany, Aachen

Academic Project Manager
Dr. Brigitte Franzen
Dr. Annette Lagler

Film Project Manager
Myriam Kroll

Editorial Teams
Sandra Kampmann

Camera Technician
Julia Henderichs

Editing Technicians
Martin Pogac
Klaus Hernitschek

Project Assistants / Actors

Dr. Annette LaglerMyriam KrollMiriam LowackSonja BenznerChristina SodermannsJulia RiefPetra Kather

Karoline Schröder
 
Film Extras
Isabelle Pfeiffer-Poensgen
Walter Queins
Prof. Dr. Günter Herzog, ZADIK Köln
Dr. Karsten Arnold
Prof. Dr. Wolfgang Becker



Overall Planning Teams

Gisela Graichen und Peter Prestel

All episodes
Avant-Garde in the Boon Docks
Episode 1
04/03/2013
What or Who is ZADIK?
Episode 2
04/10/2013
Hor do you get your hands on a "Richter"?
Episode 3
04/17/2013
Peter und Irene Ludwig
Episode 4
04/24/2013
The New Gallery and Wolfgang Becker
Episode 5
05/01/2013
The Round-Up Interview
Episode 6
05/08/2013
The Surrounding Area
Episode 7
05/15/2013
The Keystone
Episode 8
05/22/2013
The Team
Episode 9
05/29/2013

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